20 Royalty-Free Audio Tracks for "Fifth Tones"

*Novendecimal fifth tone on C = C. Just: 39 : 38 = 44.97 cents. Limit: 19-limit. MIDI pitch bend: 50,78

*Tridecimal fifth tone on C = C♯. Just: 40 : 39 = 43.83 cents. Limit: 13-limit. MIDI pitch bend: 3,78

*Greater 47-limit fifth tone on C = ?. Just: 47/46 = 37.23 cents. Limit: 47-limit. MIDI pitch bend: 117,75

*Lesser 41-limit fifth tone on C = D♭. Just: 42:41 = 41.72 cents. Limit: 41-limit. MIDI pitch bend: 45,77

*Undecimal two-fifth tone on C = C↑-. Just: 22:21 = 80.54 cents. Limit: 11-limit. MIDI pitch bend: 99,89 on PU

*Undecimal fifth tone on C = C↓#+ (Ben Johnston's notation). Just: 45/44 = 38.91 cents. Limit: 11-limit. MIDI pitch bend: 57,76

*Fifth-tone/1 step in 30 equal temperament on C. Equal-tempered: 21/30:1 = 40 cents. MIDI pitch bend: 102,44 MIDI, created using Sibelius 5.

An augmented fifth in just temperment. The first tone is a sine wave of 300Hz, the second is 468.75 Hz, the third is the interval. Made with NCH tone generator

*Lesser 43-limit fifth tone on C = C↑ (Ben Johnston's notation). Just: 44/43 = 39.80 cents. Limit: 43-limit. MIDI pitch bend: 94,76

*Greater 43-limit fifth tone on C = C- (Ben Johnston's notation). Just: 43/42 = 40.74 cents. Limit: 43-limit. MIDI pitch bend: 4,77

*Greater 41-limit fifth tone on C = C (Ben Johnston's notation). Just: 41:40 = 42.75 cents. Limit: 41-limit. MIDI pitch bend: 87,77

*Lesser 47-limit fifth tone on C = C (Ben Johnston's notation). Just: 48/47 = 36.45 cents. Limit: 47-limit. MIDI pitch bend: 84,75

A sound file playing the interval of an augmented fifth, in equal temperment. The first tone is a sine wave at 300 Hz, the second is at 476.1 Hz, the last is the interval. Made with NCH Tone generator.

*Thirteen quarter tones (minor fifth) on C = G. Equal-tempered: 213/24:1 = 650 cents. MIDI pitch bend: 0,80 Preceded by:File:Eleven quarter tones on C.mid

A mean fifth (sine waves of 300 Hz and 448.6Hz) followed by a wolf fifth (300 Hz and 459.37Hz); intervals occur in quarter-comma meantone temperament.

Our town was testing the sewers somehow using audio tones to measure something. Maybe resonant frequency or something like that. It sounded vey musical since they were using 3 tones per octave, like a scale based on an augmented fifth chord.

Sum and difference tones of A220 and unison, just perfect fifth, and octave. Note that this is not produced through ring modulation of two notes, but is four separate notes.

All harmonics from 16 to 32 as a tone cluster, primarily of seconds, then arpeggiated.

This a amaj drone tone created from an orchestra tuning sound segment (http://www. Freesound. Org/people/acclivity/sounds/24205/). Through an harmonic model, the low brass section have been separated of the trumpets and then a series of harmonic (harmonizer) transformations have been done in order to include a major third and a perfect fifth in the f0 = a2 harmonic serie. The a tuning is a little bit down from 110hz (~106-107hz).

Circle of 5ths loop compiled on a 2015 macbook pro using field recordings. Tempo / time sig:24 bars of 3/4 timing with each bar lasting 2. 5s. Or 12 sets of 6/8 at 5s per bar with a total length of 60s. Filters:hipass pumped at 60hz, -5db. Lopass pumped at 1200hz at -6db. Delay set to 0. 05s at 600hz with a 60% wet mix. Arranged with the tonic 5th as a constant with the last (fifth) 5th in the circle, starting and ending with the tonic. Second 5th enters in 5s, third in 15s and the fourth in 25s as the fifth stops. The fifth 5th begins to fade back in after 10s of silence, which begins the process of the second, third and fourth fading out in that order. The fifth 5th is at full volume as the loop turns, as is the tonic. The mood changes noticeably as each consecutive 5th begins, and changes again as the following 5th joins the loop.